Miodrag Djordjevic - Untitled (Graphic Diptych)

Surrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.

This work is part of a series in which Serbian artist Miodrag Djordjevic (Aleksinac 1936) develops a Surrealist stylistic vein that relies not on concrete images or quotations, but on abstract entities, a cross between biomorphic and geometric. Indeed, the figures that populate these works have the form of biological organisms, yet are constructed with rationalist rigor. Their rounded, sinuous volumes thus blend with perfect, rationalist figures. Furthermore, from a formal standpoint, Miodrag demonstrates great care and technical expertise in delineating these figures with an illusory hyperrealism in the finest Surrealist tradition.

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