Morelli - Houses

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.

The depiction of this urban landscape provides the artist Morelli with the pretext to create a work with rigorous compositional rules. Indeed, the entire surface of the painting is nothing more than a balanced, harmonious system of shapes and colors. A pronounced geometric minimalism lends the representation expressiveness. The spatial conception is complex, constructed on multiple directives with some Cubist reminiscences. The pictorial layering is rather compact and divides the work into clearly defined chromatic zones.

Artist Morelli has developed his own pictorial language, inspired by a rationalist spirit. His minimalist compositions are based on a harmonious balance of shapes and colors.

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