Muranò - Diptych of landscapes

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

As we can see from the execution of this pair of landscapes, Muranò's style is distinguished by a landscape rendering that remains rooted in the recording of sensory data, yet does so in a highly synthetic manner. His research focuses primarily on the expressive qualities of color; therefore, compositionally, the design structure is underdeveloped, and the artist ignores certain inconsistencies in the definition of space. Indeed, it is in the pictorial layering that Muranò's full technical prowess is expressed. First and foremost, in the chromatic unity of the painted surface, which is matched by a warm, crepuscular light of brown and gold hues. The small landscape, with its sketchy vivacity, thus takes on a great lyrical and spiritual inspiration. Muranò's dedication to calibrating every tonal transition and every balance in the application of color is remarkable.

As we can see from the analysis of this pair of landscapes, the artist Muranò has a sketchy and synthetic conception of landscape painting, in which he develops his very high sense of color and tonal painting.

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