E. Navarra - Untitled

The iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, or Puvis des Chavannes, who, despite using a substantially figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references.

The composition is quite complex. The entire scene is set in a decontextualized space characterized by a cursory and surreal treatment of the landscape. In this enigmatic and suspended context, the scene becomes even more captivating, thanks also to the composition's perfect symmetry. The Symbolist language is evoked by the overall iconicity of the composition, achieved in a concise manner and with a compact application of color, free of pictorialism.

The painter Navarra is an artist who creates visionary subjects poised between Symbolism and Surrealism. Formally, he uses an extremely iconic and deceptively objective figurative language.

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