Nino Puglisi - Still Life

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Nino Puglisi's style in his still lifes seems to tend toward hyperrealism. Indeed, one can see the painter's desire to objectively and lucidly convey the sensory data before his eyes on canvas. The artist also demonstrates a fine technique, reminiscent of Flemish painting, in the precision with which he reproduces the various materials and the effects of light falling on them. Despite their objective clarity and while avoiding overly accentuated atmospheric effects, Nino Puglisi's technique is such that objects are naturally inserted into space, with a continuity and indefiniteness of contours.

Nino Puglisi. A 1970s painter, he is famous for his delicate pictorial fantasies on the themes of feminine beauty and still life. His paintings are rich in glazes and transparencies, with a perfect balance of warm and cool tones. His works resonate with a pure love of art and his pursuit of beauty.

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