Novella Parigini - Untitled

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.

Novella Parigini's aim is to offer a simplified interpretation of reality, seeking new values ​​of purity in representation. This is expressed through a fluid technique that resolves the subjects with a few quick but incisive strokes of chalk, pastel, or charcoal. The use of this particular technique gives the figures an ethereal consistency, almost as if they were vaporous and ephemeral apparitions. The use of a black background also contributes to achieving this effect, allowing the pastels' chromatic nuances to stand out more, thus accentuating the fusion between the subject and the space in which they interact.

The figure of Novella Parigini (1921-1993) differs markedly from the conventional naïve artist, who is typically a social outcast, if not outright marginalized. Parigini's life, however, is characterized precisely by the high society of her experiences, both in Rome and Paris. And it is in this sense, then, that her pursuit of pure and simple formal values ​​in her artistic career should be interpreted. First and foremost, the hedonism typical of the Sienese aristocracy from which Parigini descended comes into play, making painting a game in itself, a playful exercise to be practiced with a refined and fascinating childishness. But art, for Parigini, is also a reflection of her free, unconventional life: hence her desire to pursue pure aesthetic canons that break all ties with the past.

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