Omamir - Tree of Lights

The iconography of this work certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, or Puvis des Chavannes, who, despite using a substantially figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references.

The stylistic approach that characterizes Omaamir's work can be likened to the Naïve movement. The Naïve artist is by definition self-taught, someone who hasn't attended an art school but has found inspiration within themselves. Stylistically, this translates into figurative painting that offers a simplified interpretation of reality, with infantile and unconsciously primitivist overtones. However, even the Naïve artist, in his spontaneity, possesses a self-awareness that leads him to develop a very specific aesthetic language, distinguishing it from amateurism.

Omamir is an artist who uses simplicity and clarity as his means of expression. He has a predilection for symbolic subjects but also embraces traditional representations such as landscapes and still lifes.

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