Paoli - Summer

The work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. The Impressionists, in particular, favored subjects related to modern life in urban, bourgeois settings. The present work, however, represents a different context: the genre scene depicts a simple, rural world with basic values. This is a typical iconographic theme of the pictorial genre to which Paoli appears to belong, namely the Italian Naïve school.

The stylistic approach to the subject can be likened to the Naïve movement. The Naïve artist is by definition self-taught, someone who hasn't attended an art school but has found inspiration within themselves. Stylistically, this translates into figurative painting that offers a simplified interpretation of reality, with infantile and unconsciously primitivist overtones. However, even the Naïve artist, in his spontaneity, possesses a self-awareness that leads him to develop a very specific aesthetic language, distinguishing it from amateurism.

As we can see from an analysis of this painting, the painter Paoli is a representative of the 20th-century Italian Naïve school. His desire to achieve a childishness in the representation is evident, with the aim of characterizing the artwork with primordial values ​​of purity and innocence.

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