Paolo Bianchi - Untitled

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

The style of artist Paolo Bianchi, in his extensive pictorial output of landscapes, still lifes, and female figures, is distinguished by a perfect blend of naturalistic figuration and an expressionistic rendering of the subject. Indeed, he consistently begins with tangible reality, which he remains firmly rooted in, using a pictorial language that seeks to imitate reality. Yet his interpretation is characterized by a strong contemporary sensibility that leads him to seek a more pronounced pictorial synthesis. This occurs primarily through the application of color, which, with a highly accentuated pictorialism, allows the artist to detect profound vibrations in the subject, not only of light but also of existence.

The artist Paolo Bianchi, as we can see from an analysis of his works, stands out for a pictorial style that tends to reduce the rendering of sensory data in favor of the expressive potential of color and pictorial application.

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