Pasquale Grande - The Excuse for the Party

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, which spans all eras and stylistic movements. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism. The female figure is central to Pasquale Grande's artistic production, in a large series of nudes and portraits.

In both portraits and the nude, Pasquale Grande's style is perfectly consistent and recognizable. The artist achieves a remarkable synthesis of form. The body is reduced to its essentials, stripped of its contingent details, and the painter seeks to distill the true existential meaning of his female figures. The plasticity, however, is enhanced by the pictorial material, creating a strong connection with concrete and tangible reality. The rest is a pictorial vibration of remarkable expressive value. All this is possible thanks to Pasquale Grande's refined technique in modulating color, in his ability to create a dynamic impasto, made of shifting and iridescent hues. The palette is highly original: Pasquale Grande's favored colors transcend tangible reality to take on spiritual connotations.

Pasquale Grande was born in Melendugno in 1961 and currently lives in Cavenago Brianza. His painting career has focused on the female figure and the search for an original style, achieved through experimentation with various painting techniques.

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