A. Perazzini - Woman on the Sofa

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.

As we can see in his portraits and female figures, Perazzini is an artist who strives to maintain a living connection with the great Italian pictorial tradition. This tradition is based on a rational figurative style, founded on the exaltation of volumes and plasticity. All this is filtered through a contemporary recontextualization that finds its most direct reference in twentieth-century Italy, in masters such as Sironi, Donghi, and Casorati. This figurative style draws not only on the Renaissance tradition but also on some of the more archaic abstractions of thirteenth- and fourteenth-century painting. All this is interpreted with a modern sensibility, with a pictorial style charged with existential vibrations.

A. Perazzini is a painter who, in his work, draws on the great Italian figurative tradition revisited in the light of a contemporary sensibility.

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