A. Piccini - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the sixteenth century, up until the depiction of every single vibration of light on objects in Impressionism.

The style of the painter A. Piccini is highly recognizable, both in his landscapes and still lifes. Color plays a key role, constructing objects in a fundamentally two-dimensional space where the flattened forms conceal their volume. Piccini, in fact, is primarily interested in the application of color, through which he synthesizes the figures and the space they interact with, using long, dense brushstrokes. Light intervenes, and the painter captures its vibrations by adding thick brushstrokes of white. Piccini's interpretation is halfway between an impressionistic immediacy and an expressionist desire for synthesis.

A. Piccini is a painter who focuses on traditional themes such as landscape and still life, which he interprets with his own personal artistic language. His style is based on rapid application, composed of long, rapid brushstrokes full of color. For this reason, he can be considered an artist of post-Impressionist origins, yet already tending toward Expressionism.

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