Pizolinati - Untitled

The work is an abstract composition. "Abstract" derives from the Latin term "abstrahere," which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.

The artistic language Pizolinati uses in this composition is based on a process of abstraction of reality that, on the one hand, relies on a mechanomorphic reconstruction, and on the other, relies on a gestural style reminiscent of American Abstract Expressionism. The composition appears to follow very precise guidelines that impart a certain movement. The streaks of color, in fact, lend a significant dynamic to the entire subject.

Pizolinati is a painter close to a tendentially abstract artistic language in a very dynamic conception of pictorial composition.

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