Proferio Grossi - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory element. The artist Proferio Grossi's research focused on the still life subject, creating various versions of it in his essentially hyperrealist style.

Proferio Grossi's style in his still lifes seems to tend toward hyperrealism. Indeed, one can see the painter's desire to objectively convey to the canvas, with cold lucidity, the sensory data before his eyes. The artist also demonstrates a fine technique, reminiscent of Flemish painting, in the precision with which he reproduces the various materials and the effects of light falling on them. Despite their objective clarity and while avoiding overly accentuated atmospheric effects, Proferio Grossi's technique is such that objects are naturally placed in space, with a continuity and indefiniteness of contours.

Proferio Grossi was an artist born in Vignale in 1923 and died in Parma in 2000. He trained under the guidance of Atanasio Soldati, moving toward geometric abstraction. In 1984, he joined the Movimento Arte Concreta (Concrete Art Movement). Subsequently, Proferio Grossi made a turning point in his career, dedicating himself to figurative art, namely the painting of objects, which earned him great critical and public acclaim. This dialectic between abstract and figurative characterizes the entire final period of Grossi's work.

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