Remo Brindisi - Untitled

The work has a marked expressionist vocation, which tends to emphasize the expression of emotions. Expressionist art seeks to proclaim its moods to the world and flaunt them with passion. Formally, this translates into a summary rendering of the figures, through a very nervous and animated line, as well as the use of a violent color palette. These characteristics are found in the historical avant-garde movements of expressionism: Fauvism and the Die Brucke movement in Germany.

Remo Brindisi's expressionism is expressed through a synthesis of the subject, designed to enhance dynamism, especially in works with more abstract figuration, such as the presente multiple. Brindisi highlights the potential of the subject's movement, which he indicates with a thick black line, drawn with vigorous gestures. The underlying aesthetic, simultaneously synthetic and agitated, is Expressionist, so much so that the subject's form is virtually erased, suppressed by the evocative power of the pictorial mark. In short, the rendering of sensory data definitively gives way to the rhythm of the composition and the painter's gestures, which are the true protagonists of the work. As for color, Brindisi's palette remains consistent with the usual aggressive, Fauvist-inspired hues.

Remo Brindisi was born in Rome in 1918 and died in Lido di Spina in 1996. His first solo exhibition was held in Florence in 1940. From that moment on, he continued to enjoy great renown. His painting cycles, "Venezie", "Oppositori", "Pastorelli", and "Maternità", are famous. He also painted a cycle on the history of Fascism. His works have been exhibited in numerous shows in Italy and abroad (Paris, Nice, Milan, Venice, Rome, Cairo, and São Paulo, Brazil). Between the 1940s and 1950s, he participated in various editions of the Rome Quadrennial and the Venice Biennale.

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