Renato Bertoloni - The White Stockings

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.

Painter Renato Bertoloni stands out for his use of color, which is the undisputed protagonist of his work. The space of his paintings tends to be two-dimensional, and the surface is divided into broad chromatic zones. His application is composed of broad, sinuous brushstrokes or thick, dense dashes of color. In this way, color also has a structural function, delineating the volumes of objects. His palette is also highly distinctive: Renato Bertoloni favors very bright colors, almost aggressive in their expressiveness.

Renato Bertoloni was a painter born in Busseto in 1924 and died in Milan in 1986. His paintings focused primarily on traditional genres such as landscapes, still lifes, and genre scenes. He developed his own personal style, distinguished by the strength of his brushstrokes and the expressiveness of his colors.

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