Renato Guttuso - Lovers

The work can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.

This lithography can be considered an "artist's proof" in which Renato Guttuso sought to refine his drawing technique. The composition achieves a supremely naturalistic rendering even through the simple formal means of graphic art. In addition to the extraordinary precision in capturing sensory information, Guttuso brought it to life through the interplay of shadows, achieved through precise hatching, which gently blurs the contours and renders them undefined. The realist element of Guttuso's art is also significant, and in this work it emerges through the characterization of facial features with expressionistic verve.

Renato Guttuso, born in Bagheria in 1911 and died in Rome in 1987, was a painter deeply involved in politics and social issues. His artistic commitment stemmed from his socialist ideals and his outrage over social injustice and abuses of power. He participated in the Fronte Nuovo delle Arti group, developing a Realist-Expressionist style of painting, developing his "social art." Guttuso's most important works, expressing his Neorealist art, were masterpieces such as Ficilazione in Campagna (Fucilation in the Countryside) and Fuga dall'Etna (Escape from Etna). He was also elected senator twice, in 1976 and 1979, for the Italian Communist Party.

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