Romano Mussolini - Female portrait from the shoulder

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, which spans all eras and stylistic movements. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism. This work is part of a series in which Romano Mussolini focuses his attention on the female face, placing it at the center of an expressionistic approach to color.

Romano Mussolini's paintings have a highly recognizable artistic language, even when he abandons his favorite subject, the clown. The figures are delineated by a strong outline, while the color is always light, sometimes reaching a heightened painterly quality with highly expressionistic effects. Thus, the figures appear almost dematerialized within a two-dimensional surface, conveying a sense of extreme lightness. In the case of the series of female portraits, compared to his usual work, Mussolini demonstrates a more pronounced desire to abstract the subject, which is reduced to a few symbolic facial features.

Romano Mussolini was born in Forlì in 1927 and died in Rome in 2006. A primarily figurative painter, he focused primarily on genre subjects such as clowns, horses, and landscapes. His compositions display a simplicity of line and color. His passion for painting began in 1945 in Naples, where, under the guidance of the painters Corrura and Terraccini, he immediately achieved success. Romano Mussolini, in addition to his paintings, was also famous as a jazz musician and composer.

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