S. Moriconi - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Moriconi's pictorial language is distinguished by a pursuit of essentiality and simplicity in representation. In Moriconi's vision, sensory reality undergoes expressionistic modifications. These modifications are primarily identified in a reduction of drawn details in favor of a composition that expresses itself primarily through the application of color. From a chromatic perspective, it is also noteworthy that Moriconi's palette is made up of extremely vivid colors, full of light and verging on natural truth. In this sense, we can say that Moriconi's entire pictorial practice is characterized by a very naïve narrative verve that leads him to describe the world in a creative and imaginative manner.

The painter Moriconi is the protagonist of a highly original body of work based on the expressionistic qualities of color. His style is characterized by a very lively and imaginative interpretation of reality, marking him as a naive artist.

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