From Salvador Dalí - Crucifixion

Surrealist aesthetics emerged around the 1920s, encompassing all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.

The bas-relief is inspired by Dalí's famous work, Corpus Hypercubus. The dominant motif in the composition is the cross, which the artist has dismantled and left to float by mysterious gravitational forces. The bas-relief also features the same division into geometric solids, suspended in a dramatic frame that emphasizes their looming weight. The body of Christ, rendered in relief, is magnificent. The scene unfolds in an undefined space where the only reference point is the mysterious checkered floor.

Salvador Dalí (Figueres 1904-1989). A major representative of historical Surrealism, he was a photographer, writer, and filmmaker (his collaboration with Luis Buñuel is famous) as well as a painter. His works are based on the principles of psychoanalytic associationism, following the teachings of André Breton. His style is characterized by a turgid, harsh hyperrealism, in which his subjects display an obsessive attention to detail. His compositions are a mix of free associations, biomorphic organisms, and cultural references.

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