Semfestrati - Untitled

The subject of the urban landscape is already present in the Middle Ages and
Modern, but mostly in an idealized way. The scenes of life
town become typical themes with a more plausible interpretation starting from
since the 19th century. We recall how immediately after the realist currents
In the nineteenth century, the Impressionists also gave great importance to everyday life,
to everyday life, with a certain predilection, however, towards frenzy
of the city, the crowd, the traffic and typically bourgeois settings. In this
In the painting, the everyday aspect prevails, along with a frank and sincere realism
of everyday life in a city dimension.

The artist's style features a perfect fusion between realism and a delicate
impressionistic rendering of sensitive data. In fact, on the one hand the artist proceeds to
a precise description of the view in all its details with a strong
sense of the city's reality and of the daily life of a simple life. On the other hand
his refined pictorial technique allows him to transfer onto the canvas a sense of
immediacy, thanks to a rapid brushstroke full of vibrations
atmospheric. The light thus reflects on objects, but without interfering with
the precise description of reality. The whole view is therefore characterised by
from a clear luminosity that is revealed, by contrast, in the play of shadows.
The use of a palette of soft colours is also aimed at this purpose and
delicate.

Semfestati is distinguished by the use of a very simple and direct style that gives
life to a purely realistic conception of artistic creation. In his
the sensitive data is not idealized but is reported as it is
in reality. For this reason his figurative language starts from the reproduction
from life but is distinguished by a certain impressionistic manner that
guarantees liveliness and immediacy to the representation.

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