Sergio Mari - Frustration

The iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, and Puvis des Chavannes, who, while using a primarily figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references. Sergio Mari's work frequently features works characterized by highly complex iconography. The theme of the horse, one of this painter's favorite subjects, is particularly prominent.

In this graphic work by Sergio Mari, we see how the artist uses a blend of subtle, wavy linearity and intricate hatching to delineate volumes and shadows. The image thus appears essential, yet at the same time possesses great expressive power and sculptural quality. Indeed, the work is characterized by an extraordinary classical sense of representation. For Sergio Mari, artistic creation is defined by a mimetic relationship with Nature, and sensory data are interpreted according to principles of balance and harmony. Yet, an inherent sense of contemporaneity is evident in his ability to synthesize expression and the existential tension it generates.

Sergio Mari is a Roman artist. Trained as an architect, he stands out for his classical and traditional artistic approach.

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