Simone Fugazzotto - Cube

The work draws on a pop aesthetic in its use of stereotypical images or their mechanical reproduction. Pop Art was born in the United States in the second half of the 20th century as an interest/critique by artists of the contemporary "consumer society." All expressions of Pop Art presuppose a sort of double bond with the world of consumerism and the mass media. On the one hand, the artwork is reduced to a mere consumer product, thanks to the use of advertising or comic book language in the works and their serial reproduction through mechanical processes. On the other, it is the advertising images and consumer goods themselves that become works of art, as the most genuine and truthful expression of the new society. Simone Fugazzotto's artistic production can be defined as pop in its use of deliberately didactic images and aggressive colors. His main subjects are monkeys and Rubik's cubes.

The hallmark of Simone Fugazzotto's style is his focus on creating a clear and effective image, achieving it entirely through a pictorial dimension. His subjects are created with a healthy dose of hyperrealist illusionism, thanks to the artist's extraordinary technique. The color scheme, made up of exaggerated hues, is compact. Beyond its technical prowess, Simone Fugazzotto's skill must be measured by his creative ability to create fun and characterful images with minimal pictorial means, truly managing to transform the pop image into a complete work.

Simone Fugazzotto (b. 1983, Milan, Italy) developed a relationship with the visual arts from a young age: as a child, he was a cartoonist, a lover of art history as a teenager, and a painter in art school. His artistic expression has been shaped by various experiences around the world, in search of a unique identity. Although academically trained, Fugazzotto distanced himself from classical influences, experimenting with new approaches and blending shapes, textures, and expressive media. In his paintings, sophisticated human figures in diverse situations are combined with the figure of the monkey, an example of the harmony in which it is possible to coexist with nature, a model of simplicity and integrity. Fugazzotto has exhibited his work in various galleries in New York, Paris, Prague, and Milan.

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