Spinelli - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

The painter Spinelli stands out for his highly lyrical interpretation of landscape, determined by a remarkable process of abstraction of sensory reality. Landscape elements are virtually emptied of their materiality, synthesized into pure washes of color. Thus, landscape objects become diaphanous and transparent apparitions, and what remains on Nature's canvas is not determined by an imitative process, but rather is the transfiguration of the artist's pure perception. Everything, therefore, is resolved in a light and essential minimalism that is also reflected in the clarity of the palette.

As we can see from an analysis of his works, Spinelli is the protagonist of an original pictorial production balancing figuration and abstraction. His diaphanous and minimal landscapes embody the artist's perception of nature, transferred to the canvas in light washes of color.

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