Tiberiano Marilli - Untitled

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

The style of painter Tiberiano Marilli, in much of his work, is characterized by the development of a strongly expressionist language. The artist seeks to go beyond what is perceived by the senses to extrapolate the true essence of reality and communicate it on canvas in a lively and dramatic manner. For this reason, through the application of color, he develops a highly synthesised process that reduces subjects to dense, material layers of paint, in which the painter's emotion is also the protagonist, conveyed through his sophisticated gestures. In this work in particular, the synthesis process is particularly developed. The application of color is highly complex, creating a dynamic balance between figuration and abstract expressionism. The exploration of chromaticism also makes Tiberiano's work highly interesting.

Tiberiano Marilli was born in Massafra in 1947 and currently lives in Minoprio after extensive travels in various cities of Europe and America. A student of Renato Guttuso, he worked in Venice in 1964 with contemporary and classical masters. He has exhibited his work in Pavia, Milan, Rome, Venice, Barcelona, ​​Madrid, Zurich, Paris, and many other cultural centers. Notable frescoes are found in Switzerland, Austria, France, Spain, and Italy. His works are present in many public and private collections.

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