Ernesto Treccani - Graziella

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.

Ernesto Treccani's artistic language tends to minimize phenomenal reality, but this exercise in reducing sensory data helps the artist go beyond the appearance of things and capture their true essence. What remains is the spiritual and emotional concentration of the depicted figure, which Treccani seeks to connect with by eliminating any formal frills and leaving only an elegant trace to identify the subject. This trace consists of a sinuous line that constructs the image in a nervous and lively manner. This is complemented by color distributed in light, balanced patches.

Ernesto Treccani, a Milanese artist born in 1920 and passed away in 2009, founded the magazine Corrente, which brought together a group of artists including Birolli, Guttuso, Migneco, Sassu, and, later, Cassinari and Morlotti. His first solo exhibition was in 1949. In 1978, he created the Corrente Foundation, a center for studies and cultural initiatives, and especially for archiving documents relating to the Realism movement.

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