Ugo Attardi - Red is the Evening

The urban landscape was already a popular subject in the Middle Ages and Modern Ages, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. Works inspired by the city of Rome are recurrent in Ugo Attardi's artistic production.

This work is truly exemplary for understanding the fundamental components of Ugo Attardi's artistic practice. On the one hand, his expressive use of color leads him to synthesize reality by abstracting it into chromatic zones of ever-bright, luminous hues. On the other, his meditation on Cubist decomposition leads the artist to shatter space and subject into a myriad of tiles that form a complex, multifaceted surface. Subject and space are seamlessly integrated in an elaborate interpenetration of planes and colors.

Ugo Attardi, born in Sori in 1923 and died in Rome in 2006, was a painter and sculptor. After beginning his career as an abstract artist, joining the Forma 1 group, in the 1950s he turned to Expressionism, drawing inspiration from Bacon and Grosz. He participated in several editions of the Venice Biennale and the Rome Quadrennial and exhibited his work in numerous solo and group shows in Italy and abroad.

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