Ugo Chiaperotti - Untitled

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. If at first
In its history, flowers were a pretext for painters to try their hand at a photographic reproduction of reality. In contemporary art, the subject of flowers also becomes a way of interpreting reality.

Artist Ugo Chiaperotti's interpretation of the flower vase is resolved through a decisive process of abstraction of the subject. There is a remarkable synthesis of sensory data that empties the objects of their volume, transforming them into pure perceptual vibrations. Thus, the artist constructs the vase with transparent glazes that delineate the structure of the glass and the reflections of the water. Then, the application of diluted paint completes the work, making everything within the composition extremely dynamic and light. The colors are quite bright, ideal for capturing the intense chromatic vibrations of the flowers and the vivid reflections of light on the vase's glossy surface.

Artist Ugo Chiaperotti has focused primarily on traditional landscapes, still lifes, and floral compositions. His style is distinguished by a synthesis of subjects that exploits the expressive qualities of diluted color.

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