Viganò - Untitled

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.

Viganò's landscapes display remarkable technical and compositional skill. His subjects are constructed almost entirely through color, which he expertly applies with loose brushstrokes charged with luminous vibrations. Thus, his paintings acquire a marked immediacy and freshness, yet are accompanied by a remarkable realism in the depiction of landscapes rich in detail and particulars.

Viganò is an artist mainly engaged in landscape painting, which he interprets with a very cursive and immediate technique of impressionist tendency in a realist vision of representation.

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