The work is informed by a surrealist aesthetic. In terms of the visual arts, surrealism seeks to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. Zdzisław Beksiński's interpretation of the dreamlike, as we can also see in this work, always takes on grotesque and macabre overtones. Indeed, the Polish artist's works often reference a "Gothic" aesthetic in the Romantic and nineteenth-century sense of the term. What's unique is that Beksiński reinterprets this aesthetic with his own sensibility, one with a more modern and contemporary edge, also evident in his use of bold colors with pop nuances. Zdzisław Beksiński was a Polish painter and graphic artist born in Sanok in 1929 and died in Warsaw in 2005.

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