Zimmel - Untitled (flowers)

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Zimmel's style, in a highly original manner, is a perfect fusion of figurative and abstract. Indeed, as we can see from his compositions, even small-format ones, the vocabulary used by this artist tends to reference the reality of sensory data. However, the individual elements of the compositions are assembled in a highly complex space, constructed on multiple directives and from conflicting viewpoints. In this way, the resulting subject takes on the appearance of an abstract entity that reflects the artist's complex vision.

Zimmel, the artist, displays a highly experimental approach in his work. His highly original style is a perfect fusion of figurative elements reworked into an abstract vision of reality.

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